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Don't miss this rare opportunity to view legendary Charter Oak document

An image of King Charles II, King of England, appears in the upper left of a detail photograph of the Royal Charter of 1662. Written on parchment, the document, says the Museum of ϳԹ History, “gave royal approval to the structure and freedoms that were already in place under the Colony of ϳԹ’s Fundamental Orders of 1639, the first written government framework in the nation created and implemented by a group of people to govern themselves.” After a six-month archival stabilization treatment, the Charter will be on public display at the ϳԹ State Library on February 4.
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Museum of ϳԹ History
An image of King Charles II, King of England, appears in the upper left of a detail photograph of the Royal Charter of 1662. Written on parchment, the document, says the Museum of ϳԹ History, “gave royal approval to the structure and freedoms that were already in place under the Colony of ϳԹ’s Fundamental Orders of 1639, the first written government framework in the nation created and implemented by a group of people to govern themselves.” After a six-month archival stabilization treatment, the Charter will be on public display in Memorial Hall in the Museum of ϳԹ History, located within the ϳԹ State Library.

is considered one of the state’s most significant political and legal documents. It gave royal approval of the colony’s and it became a piece of ϳԹ folklore when King James II tried to revoke the charter in 1687.

In response, a colonist allegedly hid it in a large white oak tree, later called the .

Today, the document, which was written on parchment and is currently valued at over $10 million, has had a bit of a facelift. It recently underwent a six-month conservation treatment at the (NEDCC) in Andover, Massachusetts.

The restored charter will be put on public display Tuesday, Feb. 4, at the in Hartford for one day and then locked away in a fireproof case for its own protection.

“It really needed to have a thorough examination,” said Lizette Pelletier ϳԹ's state archivist. “Cleaning, and whatever necessary, to preserve it for hopefully another 400 years.”

A sticky situation

The charter was exposed to sunlight, dirt and pollution for hundreds of years. But in 1878 the Secretary of the State’s office glued all three pages of the document, which was made from parchment, together into one long vertical sheet and put a backing on it.

The parchment is animal skin. So when glued, it became too wet and partially gelatinized. That may have created a permanent seal between each page, conservators say.

As a result, workers were unable to separate the three pages, said Katie Boodle, a senior conservator at NEDCC, who worked on the document.

“We can't treat it [the parchment] the same way that we would a piece of paper,” Boodle said. “We're really limited in the types of treatments that we can do on it.”

So workers decided to take a minimal approach and do what they could to stabilize the parchment, Boodle said.

“It was removing older repairs that were done with what was essentially, like a cardboard paper and kind of replacing them with a more stable material that wasn't going to influence the parchment skin in any way,” she said. “And wasn't going to be acidic or degrading to the piece in the future.”

The process also revealed previously forgotten artwork at the top of the charter; illustrations of birds and flowers.

How to see it

The NEDCC created two reproductions of the Royal Charter, which will be on permanent display at the ϳԹ State Library.

One version is how the Royal Charter of 1662 looks today and the other is how it would have looked like when it was written.

All three documents will be on display together for one day only: Tuesday Feb. 4, from 11 a.m. to 4 p.m., in Memorial Hall in the Museum of ϳԹ History, located within the ϳԹ State Library in Hartford.

Visitors will notice that the original Royal Charter will be displayed horizontally, not vertically.

“Just like gravity is not kind to our skin, it is not good for the parchment either,” Pelletier said.

Jennifer Ahrens is a producer for Morning Edition. She spent 20+ years producing TV shows for CNN and ESPN. She joined ϳԹ Media because it lets her report on her two passions, nature and animals.

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SOMOS CONNECTICUT is an initiative from ϳԹ, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de ϳԹ, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

Fund the Facts

You just read trusted, local journalism that’s free for everyone, thanks to donors like you.

If that matters to you, now is the time to give. Join the 50,000+ members powering honest reporting and a more connected — and civil! — ϳԹ.

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ϳԹ’s journalism is made possible, in part by funding from Jeffrey Hoffman and Robert Jaeger.