Ed Ward, an incisive former critic and editor for Rolling Stone and longtime to WHYY's Fresh Air, died this week in his home in Austin, Texas. He was 72 years old.
Ward was known for the historical precision of his work 鈥� who was playing what, who was friends with whom, what they were imbibing. In a piece on the label , Ward described the legendary on Fresh Air as "... a towering figure who was looked up to by most of the other Mississippi bluesmen ... Once his records began to sell, Patton would load up a car with his friends, his girlfriends, his ex-girlfriends and some whiskey and head to Grafton, Wis., to record. One of those friends was [the also-now-legendary blues player and singer] Son House." The details, both incidental and integral, were typical of Ward's work.
Born in 1948, one can find Ward's byline across all of the early rock magazines 鈥� principally Crawdaddy, Creem and Rolling Stone, the latter where he worked for a time as the reviews editor. He eventually moved to Austin, Texas 鈥� a city he became a relentless booster for.
In 2016, Ward published 鈥� its sequel followed in 2019; both remain rigorous books that fastidiously surveyed the genre's formative history from 1920 to 1977.
In its first volume, Ward was committed to preserving the work of acts integral to rock's development, despite not having reached the heights of an Elvis or Ray Charles 鈥� the types of figures who would only be appreciated long after they were gone.
Ward various interviewers a third volume would have traced the history up until the 2000s Napster era, though it was never finished.
In a 2016 with Creative Loafing Tampa Bay, Ward was asked if he had any regrets about his career or life. He replied, after a life spent tracing the past: "A little late for that, don't you think?"
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